• Caught in the Dark with Voogel

    LT | Jan 8, 2015

    Going into human darkness is no longer something I really want to do. I’ve seen enough dark in my day to skirt around the edges of it, looking in from a telescopically safe distance. But every now and then I risk entering straight in. Two days ago it was reading an in-depth story about the Mexican children who were murdered last year for political reasons.

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  • BJ Stevenson, Spirit of Sculpture

    LT | Nov 14, 2014

    I’m short. She’s shorter. The quiet understated power that comes out of this woman, this BJ Stevenson, it’s fascinating. Is this power emanating from her hair? How can hair be so white? Is it a halo? Not when she’s cranky, that’s for sure, but I don’t know, there’s something about her that’s always, well, white. Diaphanous white. And so down to earth at the same time.

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  • The Treasures Carried Forward

    LT | Oct 30, 2014

    The aftermath of an Open Studios can be a bit unnerving. More than a month of intense work goes into this major weekend production. The two days whirl by quickly with noisy expectations all around. Strangers arrive to view art, to ask questions, to opine, and perhaps to buy. By Sunday at 5pm the artists are exhausted. They trundle their empty snack bowls home.

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  • Artists Open Studios Oct 25 & 26

    LT | Oct 10, 2014

    “Welcome, Gracious Visitors, the doors are open, walk into my world. I hope you, too, will resonate with the conceptual muses that excite me and propel me forward in my work.”

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  • Approaching Art with Linda Salter

    LT | Sep 29, 2014

    A few years back I met Linda Salter when helping install her solo exhibit at Avenue 25 Gallery in San Mateo. What immediately struck me was the diversity of artistic approaches produced by this woman, all intelligently expressed and presented. She was emphatic that each style be presented and it was this emphasis that intrigued me. What is it about Linda Salter that demands diversity?

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  • The Bounty of Waters and Dudley

    LT | Sep 15, 2014

    I have been thinking about how we are influenced by our art instructors over the long years of our lives. Often we don’t even know when we are being influenced, and sometimes, who our instructors are.

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  • Kesselman Duo Continues Glinka's Music

    LT | Aug 28, 2014

    The tap-tap bang-bang next door has a new tempo with a smooth swoosh-swoosh added these days. One of the remarkable aspects of an art complex is that the creativity never stops. Not only do artists continue to shift in their work, but, in a larger context, artists shift in their lives. We can now add Studio #28 to the list of vitally shifting artist spaces at PAI.

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  • From Karin Moggridge to Christina Mazza

    LT | Aug 6, 2014

    Karin Moggridge, creator of both wearable and wall hung art (two examples pictured above) has moved her studio to Portland, OR, chasing after moist, cool weather and lush, green environs. Family entices her as well, and she’s already lined up sale venues for her uniquely formed wall hangings and personal apparel.

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  • Volunteers June Levin and Kevyn Warnock

    LT | Jul 7, 2014

    “Well, I’m off!” Kevyn Warnock shouted, grinning at me mid-twist as she shut her studio door.

    “Wait! Where to?”

    “Oh, a meeting with Ellen and Kay.”

    Ah. Gallery Committee. “You go, girl!”

    “Easy-peasy” was the response, and she was gone.

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  • New Vistas for Robin Clark

    LT | Jun 2, 2014

    I am grumbling to myself here. The mysterious, mystical, warmly forceful energy of Robin Clark no longer drifts by my studio door. The photographer/painter has moved her studio south to a more intimate location.

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